|
Georges Ribemont-Dessaignes (June 19, 1884 – July 9, 1974) was a French writer and artist associated with the Dada movement. He was born in Montpellier and died in Saint-Jeannet. In addition to numerous early paintings, Ribemont-Dessaignes wrote plays, poetry, manifestos and opera librettos. He contributed to the Dada (and later surrealist) periodical ''Literature''. Among Ribemont-Dessaignes' works for the theater are the plays ''The Emperor of China '' (1916) and ''The Mute Canary'' (1919), and the opera libretti ''The Knife's Tears'' (1926) and'' The Three Wishes'' (1926), both with music by Czech composer Bohuslav Martinů. His novels include ''L'Autruche aux yeux clos'' (1924), ''Ariane'' (1925), ''Le Bar du lendemain'' (1927), ''Céleste Ugolin'' (1928), and ''Monsieur Jean ou l'Amour absolu'' (1934). ==References== ''Dada Performance''. Edited by Mel Gordon. PAJ Publications; New York, 1987. ''Les Larmes Du Couteau''. CD recording of Martinu's opera. Commentary by Ales Brezina. Supraphon, 1999. ''The French Literature Companion''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Georges Ribemont-Dessaignes」の詳細全文を読む スポンサード リンク
|